I was introduced to this painting in an undergraduate art history survey class and didn’t think much of it. My young self was unable to get excited about an awkward religious painting in a three by four inch reproduction in the fourth edition of a Stockstad art history book.
After college, I saw it in person for the first time. I traveled around Europe for three months with the soft goal to see, in the flesh, as many of the reproductions from that art history book as possible. I remember seeing this Duccio at the Uffizi then, but like a lot of the work I saw on that trip, I simply checked it off the list – I knew it was important, but I didn’t know how to spend time with it.
In summer 2013, I went back to…
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